
Jimi Plays Monterey + Shake! Otis at Monterey
- Wed, Apr 30
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*Limited Walk-Up shows no longer have online tickets for sale. A limited number of tickets will be available at the box office 45 minutes before a show's start time, on a first-come first-served basis. Standby tickets will be available when Walk-Ups are sold out.
Director: Chris Hegedus, D. A. Pennebaker Run Time: 70 min. Format: Digital Release Year: 1987
Starring: Art Garfunkel, Jimi Hendrix, John Phillips, Mitch Mitchell, Noel Redding, Otis Redding
Jimi Plays Monterey (1987, 50 min)
Jimi Hendrix’s debut American set at 1967’s Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics “Rock Me Baby” and Howlin’ Wolf’s “Killing Floor,” interpreting and electrifying Bob Dylan’s “Like a Rolling Stone,” debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of “Wild Thing” that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.
Shake! Otis at Monterey (1987, 20min)
Renowned documentary filmmaker D.A. Pennebaker captures Otis Redding in his ascendancy, singing at the historic Monterey International Pop Festival in June 1967. Comedian Tom Smothers introduces Redding to a crowd that is leaving — until Redding grabs them with his charged rendition of “Shake.” Redding’s performance also includes “Respect” (which he wrote), “I’ve Been Loving You Too Long,” “Satisfaction,” and “Try a Little Tenderness.” Tragically, Redding died in a plane crash six months later. An innovative filmmaker who started in the 1950s making experimental films, Pennebaker garnered an Oscar nomination for Best Documentary Feature in 1993 for The War Room, his behind-the-scenes look at Bill Clinton’s 1992 campaign. His other subjects have included Norman Mailer, Bob Dylan, and David Bowie.