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Poster for An Evening with the Yeah Yeah Yeahs – Hidden in Pieces + Eraserhead
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An Evening with the Yeah Yeah Yeahs – Hidden in Pieces + Eraserhead

Dates with showtimes for An Evening with the Yeah Yeah Yeahs - Hidden in Pieces + Eraserhead
  • Wed, Sep 23
  1. 7:30 pm Limited Walk-Ups*

Please select a showtime button above to buy tickets.

*Limited Walk-Up shows no longer have online tickets for sale. A limited number of tickets will be available at the box office 45 minutes before a show's start time, on a first-come first-served basis. Standby tickets will be available when Walk-Ups are sold out.

Run Time: 111 min. Format: Digital

Vidiots invites you to an extraordinary evening of music, cinema, and community when we welcome the Yeah Yeah Yeahs for a special advance screening of Hidden in Pieces – a visual companion to their new record –  followed by a conversation with the band and a special screening of David Lynch’s Eraserhead.

Hidden in Pieces

Director: Barnaby Clay           Run Time: 22 min.

Hidden in Pieces is a 22-minute visual companion-piece to the Yeah Yeah Yeah’s live record Hidden in Pieces: Live at The Royal Albert Hall out on September 25th. The black and white short film is directed by award-winning filmmaker Barnaby Clay, who previously directed the Mick Rock documentary Shot! and horror film The Seeding.

“I wanted to create a film that not only captured the live performance but also felt close to the spirit of what the band was going for with their shows; something delicate and dream-like, like a precious memory, timeless, emotionally charged and shrouded in mystery.”

The special live session was recorded at the legendary Orpheum Theatre in Los Angeles at the end of the band’s recent 25th anniversary tour. Hidden in Pieces was produced by Lana Kim and Jett Steiger.

Eraserhead

Writer/Producer/Director: David Lynch    Run Time: 89 min.

Starring: Allen Joseph, Charlotte Stewart, Jack Nance, Jeanne Bates, Judith Roberts

In Heaven Everything is Fine… David Lynch arrived on the scene in 1977, almost like a mystical UFO gracing the landscape of LA with its enigmatic radiance. His inaugural work, Eraserhead (1977), stood out as a cinematic anomaly, painting a surreal narrative of a young man navigating a dystopian, industrialized America, grappling not only with his tumultuous home life but also contending with an irate girlfriend and a mutant child.

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