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Poster for Cinema Eye Shorts – Program 3

Cinema Eye Shorts – Program 3

Dates with showtimes for Cinema Eye Shorts - Program 3
  • Sun, Dec 8

Please select a showtime button above to buy tickets.

*Limited Walk-Up shows no longer have online tickets for sale. A limited number of tickets will be available at the box office 45 minutes before a show's start time, on a first-come first-served basis. Standby tickets will be available when Walk-Ups are sold out.

Run Time: 79 min. Format: Digital

Discover the best of this year’s nonfiction short films with Cinema Eye and Vidiots.

Contractions
Directed by Lynne Sachs / NY Times Op-Docs / 12 min

In 2022, the U.S. Supreme Court ended a woman’s right to a safe and legal abortion in the United States. In a place where a woman can no longer make decisions about her own body, a group of activist performers “speak” with the full force of their collective presence.

I Am Ready, Warden
Directed by Smitri Mundhra / MTV Documentary Films / 37 min

Directed by Oscar-nominated filmmaker Smriti Mundhra for MTV Documentary Films. In the days leading up to his execution, Texas death row prisoner John Henry Ramirez seeks redemption from his victim’s son.

Incident
Directed by Bill Morrison / New Yorker / 30 min

Through a montage of surveillance and police body-camera footage, a reconstruction of a deadly shooting by a Chicago police officer becomes an investigation into how a narrative begins to take shape in the aftermath.

About Cinema Eye Honors:

Cinema Eye Honors recognize feature and short-length films and series with an emphasis on nonfiction work that is designed for public distribution, whether primarily theatrical, festival, broadcast or streaming. Cinema Eye seeks to encourage audiences to engage with nonfiction work that crosses all genres, whether observational, journalistic, activist, essayistic, light-hearted or provocative as well as those exciting works that blur the lines between nonfiction and fiction. Since its founding, Cinema Eye has sought to change the conversation that film critics, festivals and awards bodies have surrounding documentary film, shifting the emphasis from importance of topic to artistic craft.

See programs 1 and 2 here and here

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